Cloudinary Blog

Comparing Google’s Guetzli JPEG encoder to other solutions

(Photo by Erol Ahmed)

A few weeks ago, Google officially announced a new JPEG encoder, called Guetzli.

Cloudinary has been tracking Guetzli since it was soft-launched in October; it has been amazing to watch news about it bubble up into the pop-tech press.

The popular take: Guetzli is an ingenious, Google-backed shot in the arm for the dusty/trusty old JPEG format, which – if you’re willing to wait for its extremely computationally intensive algorithms – produces JPEGs that are 35% smaller (or better) than was previously possible.

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Responsive Images Guide, Part 1: What does it mean for an image to be “responsive”?

“Responsive.” Where did that term come from, anyways?

In his sea-changing essay, Responsive Web Design, Ethan Marcotte explained:

Recently, an emergent discipline called “responsive architecture” has begun asking how physical spaces can respond to the presence of people passing through them. Through a combination of embedded robotics and tensile materials, architects are experimenting with art installations and wall structures that bend, flex, and expand as crowds approach them. … rather than creating immutable, unchanging spaces … inhabitant and structure can—and should—mutually influence each other.

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Using smart-cropping for automatic art direction

Note: this article was originally published in Smashing Magazine.

Four years ago, Jason Grigsby asked a surprisingly difficult question: How do you pick responsive images breakpoints? A year later, he had an answer: ideally, we’d set responsive image performance budgets to achieve “sensible jumps in file size”. Cloudinary built a tool that implemented this idea, and the response from the community was universal: “Great! Now – what else can it do?” Today, we have an answer: art direction!

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An interview with Jason Grigsby about Responsive Images

In the conclusion of this three-part interview the Jason Grigsby, we examine what the future may hold for images on the web. Previously: Part 1, Part 2.

EP: I want to go back to the idea that we started with, that images are fundamentally complicated; that they’ll always present us with problems. What do you think we are going to be working on and talking about in five-to-10 years with regard to images?

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