JPEG 2000 is an image encoding system that was created by the Joint Photographic Experts Group in 2000 with the intention of superseding the original JPEG standard. JPEG 2000 uses the state-of-the-art compression techniques based on a discrete wavelength transformation, enabling users to implement lossless compressions.
JPEG 2000 was intended to create an image coding system for many types of still images (bi-level, gray-level, color, multi-component) with different characteristics. It also would enable different imaging models, such as real-time transmission, image library archival, limited buffer and client/server, within a unified system.
It is used to compress image data that typically comes from digital cameras, scanners, frame grabbers, medical and satellite systems, and photo-retouching programs.
The goal of JPEG 2000 was to create a better version of JPEG, so let’s examine its benefits.
Supports progressive decoding, which is an efficient code-stream that enables a viewer to see a lower quality version of a particular image while the whole file has not been fully received or downloaded. The image quality progressively improves as more data bits are downloaded from the source.
When compared to JPEG, which only supports lossy compression, JPEG 2000 supports lossless (bit-preserving) and lossy compression within a single codestream.
Offers transparency preservation in images.
Includes a flexible file format. It has the .jp2 and .jpx file formats, which enable handling of color-space information, metadata and interactivity in networked applications. According to the RFC 3745, the MIME types for JPEG 2000 are image/jp2, video/mj2, image/jpx, and image/jpm.
Offers higher compression ratios for lossy compression. According to data from case studies, JPEG 2000 can compress images from 20 percent to 200 percent more than JPEG. The peak signal-to-noise ratio or the root mean square is typically used to measure the compression efficiency for lossy compression.
Superior image quality compared to a JPEG file of the same size .
Similar to the TIFF image format, JPEG 2000 is:
- Capable of describing bi-level, grayscale, palette-color and full-color image data in several color spaces.
- Enables the inclusion of an unlimited amount of private or special-purpose information within the metadata of its file format.
- Designed to be extensible and to evolve gracefully as new needs arise.
- Developers can actually choose the best space or time tradeoff for their applications because JPEG 2000 includes a number of compression schemes.
Offers large image handling (greater than 64k x 64k pixels) without tiling.
Is capable of handling both natural and computer-generated imagery.
Offers a single decompression architecture.
Delivers low bit-rate compression performance effective down to below 0.25 bits per pixel for high resolution gray-scale images.
In a video broadcast production workflow, adopting JPEG 2000 offers several advantages too, including::
An intra-frame compression scheme that encodes each frame independently. This makes JPEG 2000 great for content editing applications, since the video signal can be cut at any place without repercussion.
Bit-errors in a JPEG 2000 create less visual artifacts than MPEG solutions.
Ultra low latency, which is very important for live TV content.
Scalability in both resolutions and quality.
Robust pixel shifts thus sustaining the same quality in a chain of successive compression-decompression processes over the same original material.
As awesome as JPEG 2000 is, there are some undesirable effects that has impeded its universal use and support.
No universal browser support.
The format is not backward compatible. Users (developers, digital companies and others) wanting to use JPEG 2000 would have to code in a new standard while also supporting the original JPEG.
Encoding JPEG 2000 files is resource intensive (CPU intensive, new code). It requires much more memory for processing. This might not be an issue in 2017 because of how advanced our machines are now, but back in 2000 when the file format was released, it was a significant issue.
Websites and camera manufacturers were not ready to accept the format until it was widely adopted.
Encoding JPEG 2000 is not as fast and easy as encoding in JPEG.
It’s not content adaptive when compared to JPEG. Choosing a bitrate that is very low will make a mess of an image.The target bitrate will have to be adjusted manually depending on the content of the image.
Even though it appears that JPEG 2000 is dead in general photography space, it is king in the medical world and wireless multimedia space. Medical diagnostic imaging, such as MRI, CT or X-ray scans are likely to be encoded as JPEG 2000. It is also required for digital cinema operations. Requirements in data compression for digital cinema include high dynamic range, different color spaces, high image resolutions and lossless compression, which is made possible by using JPEG 2000.
The table below shows a comparison of five common image file formats:
|Pros||Cons||File Extension||Browser Support (without plugin)||Creators|
||PNG development group, now maintained by W3C|
||Joint Photographics Expert Group|
||Joint Photographics Expert Group|
JPEG 2000 was created to be significantly better than JPEG. In a situation where you are not looking for universal browser support, then in my opinion, JPEG 2000 should be your go-to image format.
Hopefully, big companies like Sony, Panasonic and developers worldwide will aggressively start adopting the JPEG 2000 standard across board, so that it can be a widely accepted format. With that, browser engines and software authors will have more incentives to support JPEG 2000.